Walking Through the Labyrinth of Human Anxieties: A Critical Reflection on Nasir Abbas Nayyar’s Sair Kar Tu Bhi Ye Majmua Pareshani Ka

There are books that inform us, books that entertain us, and then there are books that invite us to reconsider the very assumptions through which we understand ourselves and the world. Dr. Nasir Abbas Nayyar’s Sair Kar Tu Bhi Ye Majmua Pareshani Ka belongs to the latter category.

Borrowing its evocative title from Mir Taqi Mir’s celebrated couplet—

Darhamī-e-hāl hai sāre mire dīvān mein
Sair kar tū bhī ye majmūa-e-pareshānī kā

Nayyar takes the reader on an intellectual journey through the contradictions, anxieties and uncertainties of contemporary existence.

What fascinates me most about this collection is its refusal to remain confined within disciplinary boundaries. Literature, language, criticism, history, politics, religion, environment, artificial intelligence, human psychology and ethics become interconnected sites of intellectual inquiry. The author approaches these subjects not as isolated phenomena but as manifestations of a larger human condition.

One particularly arresting observation reads: “Hum doosron ko samajhne se zyada, un ke baare mein hukm lagane ki ghalti karte hain” (We are more inclined to pass judgments on others than to understand them). This sentence captures an important intellectual and ethical dilemma of our times. In an age of ideological polarisation and instant judgments, the ability to understand before condemning is perhaps one of the most neglected forms of wisdom.

Another thought that deserves particular attention is the author’s emphasis on intellectual honesty: “Mutala bohat karo aur jab likhne baitho to achha likhne se zyada diyanatdari se likhne ki koshish karo.” The distinction between writing beautifully and writing honestly is significant. It reminds us that intellectual integrity is not merely an academic virtue; it is also a moral responsibility.

As a student of literature and someone interested in postcolonial thought, I find Nayyar’s understanding of the writer’s responsibility especially compelling. The writer is not simply a spectator of history but a sensitive witness to the transformations taking place around us. To recognise suffering, question structures of power, listen to marginalised voices and preserve the complexity of human experience are essential dimensions of literary consciousness.

Perhaps the most interesting aspect of the book is its implicit argument that literature should not merely reproduce the world; it should help us interrogate it. Its intellectual range makes the reading experience particularly rewarding, while its reflective prose encourages the reader to pause, disagree, question and reconsider.

I also find the title philosophically suggestive. Why should we take a journey through a collection of anxieties? Perhaps because understanding the world requires us to confront its disorder rather than escape into comforting certainties. Literature does not always offer solutions; sometimes it offers something more valuable: the courage to live with questions.

For me, this is where the intellectual appeal of Nayyar’s work lies. It makes reading an exercise in self-reflection and critical consciousness. It reminds us that an intellectually alive mind must remain curious, sceptical of ready-made truths and compassionate towards human vulnerability.

Ultimately, Sair Kar Tu Bhi Ye Majmua Pareshani Ka is an invitation to undertake a journey through the intellectual, social and existential anxieties of our age. A journey not necessarily towards answers, but towards a deeper understanding of the questions that make us human.
Dr Mubashar Altaf
Lecturer
Department of English
University of Sargodha

Some books are more than just books; they bring back memories, revive old passions, and take us back to the days when we first fell in love with reading. Salam Skardu has given me that very feeling.
The author, Traveller Rogers, has been one of my favourite travel writers for years. I have read almost all of his books about the northern areas of Pakistan, and his simple, pleasant, and light-hearted style has always held a special place in my heart. His writings inspired me during my younger days and played a significant role in developing my own passion for travelling, exploring the north, and hiking.

Having recently visited Skardu and gone hiking in the northern mountains, reading it feels particularly nostalgic. The landscape the atmosphere, and the memories of my own journeys make the experience even more personal.
What I find especially inspiring is that the author, now in his late eighties, continues to share his experiences and observations through his writing. There is something truly remarkable about a lifelong traveller who can still express his thoughts with such warmth and simplicity, capturing the essence of places and experiences that many of us hold dear.
I have not finished reading the entire book yet, but my initial impression is that it is another memorable addition to the author's travel writing. For me, it is not simply about the destination; it is also about revisiting the inspiration that first encouraged me to travel, explore, and walk the mountain trails of northern Pakistan.
Some writers tell us about places. Others inspire us to visit them ourselves, Tarar sb has inspired not only me, but thousands of others too. Great work and write up!

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Story worth reading .....

پسندیدہ

Purchased first time and will purchase more the quality was good over all solod 10by10

Yeh Duniya Hai Dil Walon Kee

Excellent

Tuzuk-E-Timuri (Urdu)

Good quality

Great

بہت عمدہ سفر نامہ ہے ۔سوائے چند الفاظ کے استعمال کے ۔کہ وہ مستنصر صاحب جیسے ادیب کے قلم سے جچتے نہیں

Great!

Raah-E-Rawaan